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音乐下载大厅 A hall for download music
高码率莫里康音乐下载专页-om-mus-043
A special download page of Ennio Morricone's music with higher bitrate-om-mus-043
 
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铁面无私 (1987)
The untouchables
13首乐曲, 320Kbps, 78.5M RAR 文件 点击这里下载
13 Music, 320Kbps, 78.5M RAR file Click here to download
 
001
the untouchables(end title)
002
al capone
003
waiting at the border
004
death theme
005
on the rooftops
006
victorious
007
the man with the matches
008
the strength of the righteous(main title)
009
Ness and his family
010
false alarm
011
four friends
012
machine gun lulluby
013
the untouchables
 
Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide!
 
 
 
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