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音乐下载大厅
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高码率莫里康音乐下载专页-om-f1011-18-3
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A
special download page of Ennio Morricone's music with higher bitrate-om-f1011-18-3
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Via
Mala (1985)
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相关电影介绍页
A relative movie's page
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14首乐曲, 320Kbps, 85.9M RAR 文件 点击这里下载
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序号 No.
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曲名 Name
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WMA Listen
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备注 Note
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001
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Silvie (Titoli)
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002
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Misteriosa Casa di Montagna
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003
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Un Vecchio Pittore
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004
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Fuoco dei Sentimenti
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005
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Dialoghi e Contrasti di
Famiglia
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006
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Non Amore
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007
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Morte di Niklaus
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008
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Silvie (Presentimento)
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009
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Via Mala
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010
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Silvie (Quadro di Autore)
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011
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Ninna Nanna per Una Bambola
Senza Vita
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012
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Dialoghi
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013
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Silvie (Momento D'amore)
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014
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La Notte del Delitto
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| Ennio Morricone Mini biography:
A classmate of director Sergio Leone with whom he would form one of
the great director/composer partnerships (right up there with Eisenstein
& Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio
Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964) on the
strength of some of his song arrangements. His score for that film,
with its sparse arrangements, unorthodox instrumentation (bells, electric
guitars, harmonicas, the distinctive twang of the jew's harp) and
memorable tunes, revolutionised the way music would be used in Westerns,
and it is hard to think of a post-Morricone Western score that doesn't
in some way reflect his influence. Although his name will always be
synonymous with the spaghetti Western, Morricone has also contributed
to a huge range of other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation movies -making him
one of the film world's most versatile artists. He has written nearly
400 film scores, so a brief summary is impossible, but his most memorable
work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri,
La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The
Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso
(1988), plus a rare example of sung opening credits for Pier Paolo
Pasolini's Uccellacci e uccellini (1966). It must be stressed that
he is *not* behind the work of the entirely separate composers Bruno
Nicolai and Nicola Piovani despite allegations made by more than one
supposedly reputable film guide! |
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